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Gimme What You Got


Hailing from London, Jim Stapley has a sound that strikes a chord with America. At 23, he recently signed to Jude Cole and Kiefer Sutherland’s Ironworks Music, and is in the final stages of recording his first Full-length release. Not interested in the trends of New York and Los Angeles, Stapley’s music is steeped in the real rock tradition, making an immediate connection at festivals in the Midwest. Stapley just finished a residency in Atlanta and has returned to London to write and play shows before his tour in the Southwest beginning in Texas.


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Davis LeDuke rolls up his left sleeve. Like so many American rock gods in waiting, he has a tattoo. But this is no fake sleeve of random color-splurge that marks out the common or garden emo, this is ornate script curling around his forearm from elbow to wrist, reading thus: 'I saw the best minds of my generation destroyed by madness, starving hysterical naked'.



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“And we turn it inside out/To take it back/To the start.”-  “Who We Are”


With Who We Are, their fourth Geffen album in seven years, Lifehouse, all still in their mid-20s, are really starting to enjoy the fruits of their success and have some fun. Their multi-platinum 2000 debut, No Name Face, produced “Hanging by a Moment,” a #1 alternative hit which crossed over to become Top 40’s Most Played Song...


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“Rocco has his feet on the ground and his eyes to the sky,” (Daniel Lanois).


Rocco DeLuca uses a delicate falsetto, resonator guitar, and incisive, questioning lyrics to deliver his second album, Mercy. Rocco also had the help of five-time Grammy-winning producer Daniel Lanois (U2, Bob Dylan, Peter Gabriel) to draw upon.


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